Finucania: the enigmatic Matthias Finucane

Matthias Finucane: self-portrait, detail, private collection
This overview of the artist Matthias Finucane consists of a biography researched by his descendant, the late Julia von Bertele, and a catalogue, created by Dinah Bott of the Priaulx Library, that aims to illustrate and provide information on all of his known works. It is intended that the catalogue grow organically to reflect further information that comes to light about both his life and his artistic output; he resided for most of his working life in the Channel islands and produced here both portrait miniatures and prints. The Priaulx Library is pleased to host this unique project of great local interest.  Contact a Librarian if you have any material to add or can help with any of the many questions that remain unsolved about Matthias' life. The images here reproduced are believed to be in the public domain unless expressly credited.

Daniel de Lisle Brock and the Corn Bill, 1835

Daniel de Lisle Brock and the Corn Bill, 1835
'The depression in the price of agricultural produce may be ascribed to various causes: pretty certain it is, however, that neither legal or illegal importations of foreign corn are of the number and still more certain it is that the Channel Islands can have no connexion with any of these causes.'  From a Letter from the Deputies of Guernsey and Jersey to Lord Verulam, Colonnade Hotel, Charles Street, 6th May, 1835.

Matthias Finucane: a speculative life

'There has always been a mystery over Matt Finucane’s origin. His name does not appear on family trees, and I have never been able to find him anywhere else.' Matthias Finucane's descendant, Julia von Bertele, has devoted a great deal of time to trying to solve the mystery of the birth—and life—of the Channel Island miniaturist and printmaker, Matthias Finucane (d. 1810). This is part of the Finucania project.

Lamentations de Damaris: a poem about old Fountain Street

Deatil from Le Lievre's illustration in Pitt's Patois Poems, Priaulx Library Collection
The remodelling of Fountain Street was undertaken by the States at their own expense. They formed a Committee to oversee the works, which took place over several years in the 1820s. George Métivier wrote a poem in Guernsey French about the demolition of the street, which was so narrow in places that residents were said to be able to shake hands from the third storeys of their houses, from the point of view of one of its oldest denizens.

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